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4LOM
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Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest
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 Verfasst am: 04 März 2007 15:34 Titel: Gerüchte (Ice Storm, Zentropa, Bottle Rocket, Maysles usw.) |
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Laut der folgenden Meldung aus dem Criterion-Board erscheint Andrej Tarkowskis "Iwans Kindheit / Ivanovo detstvo / Ivan's Childhood [DVD-Titel]" [UdSSR 1962] im Sommer 2007:
| Zitat: | Dear Miles,
Unfortunately we don't have the rights to NOSTALGHIA, but we will be
releasing IVAN'S CHILDHOOD this summer.
Hope that helps.
Thanks for your interest in Criterion.
Best regards,
Kim Hendrickson |
Zuletzt bearbeitet von 4LOM am 02 Nov 2007 12:33, insgesamt 4-mal bearbeitet |
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Ashitaka
Anmeldungsdatum: 08.09.2005
Beiträge: 50
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| Verfasst am: 06 März 2007 10:59 Titel: |
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Ich schreibs mal hier rein. Laut Kim Hendrickson wird Billy Wilders "Ace In The Hole" im Juli veröffentlicht. Hooray!
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Die Feder ist wahrlich mächtiger als das Schwert! |
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wasweissich
Anmeldungsdatum: 04.04.2005
Beiträge: 106
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| Verfasst am: 06 März 2007 17:51 Titel: |
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| Ashitaka hat folgendes geschrieben: | | Ich schreibs mal hier rein. Laut Kim Hendrickson wird Billy Wilders "Ace In The Hole" im Juli veröffentlicht. Hooray! |
 Eine der schönsten Nachrichten der letzten Zeit  |
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cinéphile
Gast
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| Verfasst am: 06 März 2007 18:51 Titel: |
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| wasweissich hat folgendes geschrieben: | | Ashitaka hat folgendes geschrieben: | | Ich schreibs mal hier rein. Laut Kim Hendrickson wird Billy Wilders "Ace In The Hole" im Juli veröffentlicht. Hooray! |
Eine der schönsten Nachrichten der letzten Zeit |
Dito!!! 
Gruss
Ingo |
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4LOM
Administrator
Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest
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| Verfasst am: 07 März 2007 20:25 Titel: |
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So, den Threadtitel habe ich dann mal ein wenig allgemeiner gestaltet.
Eine wirklich sehr schöne und erfreuliche Nachricht bezüglich "Ace in the Hole". In diesem Artikel von Variety.com wird eine Veröffentlichung bestätigt.
| Zitat: | | Meanwhile, the boutique label's still devoting exacting care to releases of long-missing classics like Billy Wilder's "Ace in the Hole" and Lindsay Anderson's "If ..." |
Außerdem noch diese Meldung von MoviesUnlimited:
| Zitat: | | Reportedly on the way from Criterion at a later date are Salo: 120 Days Of Sodom (1975), Pier Paolo Pasolini’s notorious tale of Fascism run amok in WWII-era Italy, and Mafioso (1962), the newly rediscovered offbeat mobster saga in which Alberto Sordi plays a successful man who returns to his Sicilian homeland and renews his relationship with the local crimelord, which brings some unexpected complications. |
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Race hate isn't human nature; race hate is the abandonment of human nature.
--- Orson Welles |
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4LOM
Administrator
Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest
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| Verfasst am: 16 März 2007 11:13 Titel: |
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Nun auch die Bestätigung im Criterion-Newsletter für "Reporter des Satans / Ace in the Hole" [USA 1951, Billy Wilder]
_________________
Race hate isn't human nature; race hate is the abandonment of human nature.
--- Orson Welles |
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Ashitaka
Anmeldungsdatum: 08.09.2005
Beiträge: 50
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| Verfasst am: 17 März 2007 12:25 Titel: |
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O-Ton Kim Hendrickson (Mail):
"We are currently working on DRUNKEN ANGEL. Should be in stores late summer."
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Die Feder ist wahrlich mächtiger als das Schwert! |
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Neophyte
Gast
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| Verfasst am: 20 Aug 2007 18:30 Titel: |
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| Kein Gerücht mehr. Tarkowski's Meisterwerk (eines von vielen) Ivan's Childhood wird ebenfalls mit einer CC gewürdigt. |
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4LOM
Administrator
Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest
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| Verfasst am: 22 Okt 2007 17:50 Titel: |
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Wes Anderson Regiedebut "Bottle Rocket" soll laut dem MTV Movies Blog bei Criterion erscheinen.
Laut diesem HTF-Thread sind weitere Maysles-Dokus geplant:
| Zitat: | I attended a Master Class with Albert Maysles yesterday afternoon and got word that at least three of his films are slated for Criterion release in 2008:
A Visit With Truman Capote (1966)
Meet Marlon Brando (1966)
Muhammed and Larry (1980) |
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Neophyte
Gast
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| Verfasst am: 22 Okt 2007 18:03 Titel: |
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| Meet Marlon Brando würde mich interessieren. Ich liebe diesen Mann abgöttisch |
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Gast
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| Verfasst am: 26 Okt 2007 08:11 Titel: |
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| Neophyte hat folgendes geschrieben: | | Kein Gerücht mehr. Tarkowski's Meisterwerk (eines von vielen) Ivan's Childhood wird ebenfalls mit einer CC gewürdigt. |
Hab mir gestern endlich die criterion von "Ivan's Childhood" angesehen und bin restlos begeistert, also vom Film ohnehin aber den kannte ich bereits, aber Bild und Ton sind allererste Sahne...hervorragend. |
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4LOM
Administrator
Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest
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| Verfasst am: 02 Nov 2007 12:32 Titel: |
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Es wurde schon spekuliert, ob Ang Lees "Der Eissturm / The Ice Storm" innerhalb der Criterion Collection veröffentlicht wird. Dies wird sich bewahrheiten, wie man dem On Five-Blog entnehmen kann. Lars von Triers "Europa / Zentropa" wird ebenfalls vorbereitet:
| Zitat: | October 28, 2007
Color Me Impressed
When I started preparing for a new transfer of The Ice Storm, I asked director Ang Lee if he wanted to supervise the session. Ang said that he’d like the cinematographer, Fred Elmes, to supervise, and that he would come in at the end and review the color correction with us. That’s typically the way many directors go about the process these days, although they’re all different. Years ago, it wasn’t so easy to get a director in the room for a color-correction session, but things have changed. As Ang put it, “More people are watching the film on video than they are in the theater, and this is the way the film is going to live and be seen.”
I often find that directors are noncommittal about coming into a transfer session. When I asked Lars von Trier to come in for Zentropa recently, he said, “Thanks, but we trust you to do a good job.” That’s while I was in Copenhagen, mind you, just a few miles away! (Luckily I got to screen an original print at the lab while timing, therefore keeping the original ideas intact.) Then there is Jim Jarmusch, the complete opposite. Jim not only wants to watch the color correction, but he wants to review any fixes, check the compression on the DVD, and talk through the entire process. There were a few issues with Down by Law that had to be corrected in the transfer room, and Jim spent hours on one scene, making sure the black and white levels in the swamp were just right.
Like many filmmakers, Ang Lee knows that it’s as important to grade the video master as it is the prints. He also knows that you have to emphasize certain things for the small screen that you wouldn’t normally for a print being projected on a huge screen. I called Fred Elmes to come in for the Ice Storm transfer, and Fred wanted to try grading the film in the theater at Technicolor in New York. I hadn’t had this request before, since the theater is typically used for digital intermediate work—color correcting a digital scan of the original negative that will eventually be output back to film. It’s not normally used for video remastering. I phoned Joe Gawler at Technicolor, one of our favorite colorists, and told him Fred’s idea. Joe was intrigued and set about getting his engineers to do some tests. After a few weeks, Joe felt confident that it could work. Fred came in and was thrilled that we were doing it this way. We color corrected for days like this, and I have to admit, it was pretty nice seeing the film so large on the big screen. Ang finally came in, and vetoed the projector idea. He felt that although it was nice to see it like this, it wasn’t going to be representative of the typical home viewer’s experience, since most people would be watching on CRTs or 30- to 50-inch LCD or plasma screens. We then sat in the back of this giant theater gathered around a 24-inch CRT monitor, finalizing the color of The Ice Storm. I told Ang that we might want to trade the CRT for an iPod since lots of people are watching stuff on them as well. We all cracked up imagining ourselves gathered around an iPod for eight hours grading The Ice Storm. Is it really that far away? |
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