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Criterion im Januar '08

 
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4LOM
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Anmeldungsdatum: 28.02.2005
Beiträge: 3350
Wohnort: North by Northwest

BeitragVerfasst am: 16 Okt 2007 11:27    Titel: Criterion im Januar '08 Antworten mit Zitat

Derzeit noch nicht in der "Coming Soon"-Sektion bei Criterion zu sehen aber schon abrufbar: Die Januar-Titel.

#415: "The Naked Prey" [1966, Cornel Wilde]



Zitat:
Glamorous leading man turned idiosyncratic auteur Cornel Wilde created a handful of gritty, violent explorations of the nature of man in the sixties and seventies, none more memorable than The Naked Prey. In the late nineteenth century, after an ivory-hunting safari offends an African tribe, the colonialists are captured and hideously tortured. Only Wilde's marksman is released, without clothes or weapons, to be hunted for sport, and he embarks on a harrowing journey through savanna and jungle. back to a primitive state. Distinguished by vivid widescreen camerawork and unflinching savagery, The Naked Prey is both a propulsive, stripped-to-the-bone narrative and a meditation on the notion of civilization.


Zitat:
Special Features
* - New, restored high-definition digital transfer
* - Audio commentary by film scholar Stephen Prince
* - "John Colter’s Escape," a 1913 written record of the trapper's flight from Blackfoot Indians—which was the inspiration for The Naked Prey—read by actor Paul Giamatti
* - Original soundtrack cues created by director Cornel Wilde and ethnomusicologist Andrew Tracey, along with a written statement by Tracey on the score
* - Theatrical trailer
* - PLUS: A booklet featuring a new essay by film critic Michael Atkinson and a 1970 interview with Wilde



#416: "Miss Julie" [1951, Alf Sjöberg]



Zitat:
Swedish filmmaker Alf Sjöberg's visually innovative, Cannes Grand Prix–winning adaptation of August Strindberg's renowned 1888 play brings to scalding life the excoriating words of the stage's preeminent surveyor of all things rotten in the state of male-female relations. Miss Julie vividly depicts the battle of the sexes and classes that ensues when a wealthy businessman's daughter (Anita Bjork, in a fiercely emotional performance) falls for her father's bitter servant. Celebrated for its unique cinematic style (and censored upon its first release in the United States for its adult content), Sjöberg's film was an important turning point in Scandinavian cinema.


Zitat:
Special Features
* - New, restored high-definition digital transfer
* - New video essay by film historian Peter Cowie
* - Archival television interview with director Alf Sjöberg
* - 2006 television documentary about the play Miss Julie and dramatist August Strindberg
* - Theatrical trailer
* - New and improved English subtitle translation
* - PLUS: A booklet featuring new essays by film scholars Peter Matthews and Birgitta Steene



#417: "This Sporting Life" [1963, Lindsay Anderson]



Zitat:
One of the finest British films ever made, this benchmark of "kitchen-sink realism" follows the self-defeating professional and romantic pursuits of a miner turned rugby player eking out an existence in drab Yorkshire. With an astonishing, raging performance by a young Richard Harris, an equally blistering turn by fellow Oscar nominee Rachel Roberts as the widow with whom he lodges, and electrifying direction by Lindsay Anderson, in his feature-film debut following years of documentary work, This Sporting Life remains a dramatic powerhouse.


Zitat:
Special Features
* - New, restored high-definition digital transfer
* - Audio commentary featuring Paul Ryan, editor of Never Apologise: The Collected Writings of Lindsay Anderson, and David Storey, screenwriter and author of This Sporting Life
* - Theatrical trailer
* - Lindsay Anderson: Lucky Man? (2004, 30 min), a documentary from BBC Scotland featuring interviews with many of the director's close friends and collaborators
* - New video interview with Lois Sutcliffe Smith, Anderson's close friend and president of the Lindsay Anderson Memorial Foundation
* - Meet the Pioneers (1948), Lindsay Anderson's first documentary short
* - Wakefield Express (1952), Anderson's short-film contribution to England's Free Cinema series, shot in the same town that served as the location for This Sporting Life
* - Is That All There Is? (1992, 50 min), Anderson's autobiographical, final film



#418-420: "4 X Agnes Varda"



#73: "Cleo from 5 to 7" [1962, Agnes Varda]



Zitat:
Agnes Varda eloquently captures Paris in the sixties with this real-time portrait of a singer (Corinne Marchand) set adrift in the city as she awaits test results from a biopsy. A chronicle of the minutes of one woman’s life, Cleo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand (The Umbrellas of Cherbourg) and cameos by Jean-Luc Godard and Anna Karina.


Zitat:
Special Features
* - New, restored digital transfer, supervised and approved by director Agnes Varda
* - Remembrances: a 2005 documentary on the making of the film, featuring interviews with Varda, Corinne Marchand, and Antoine Bourseiller
* - Excerpt from a 1993 French television program featuring Madonna and Varda talking about Cléo
* - Cleo's Real Path Through Paris, a short film from 2005 in which Varda retraces Cleo's steps through Paris, on a motorcycle
* - Les Fiancés du Pont Macdonald (1961), a short film directed by Varda, featuring Jean-Luc Godard and Anna Karina, and Varda explaining why this film was featured as the film within the film L’opéra Mouffe (1958), an early short by Varda, with a score by Georges Delerue New and improved English subtitle translation
* - PLUS: A new essay by Adrian Martin and a written introduction by Agnès Varda


#74: "Vagabond" [1985, Agnes Varda]



Zitat:
Sandrine Bonnaire won a César award for her portrayal of Mona, a defiant young drifter who is found frozen in a ditch. Using a largely non-professional cast, famed New Wave filmmaker Agnès Varda recollects Mona’s story through the flashbacks of those who encountered her, producing the splintered portrait of an enigmatic woman. Told in sparsely poetic images set against the frozen landscape of mid-winter Nîmes, this is Varda’s masterpiece. Criterion presents Vagabond (Sans toit ni loi) in a brilliant color transfer supervised by the director.


Zitat:
Special Features
* - New restored digital transfer, supervised and approved by director Agnes Varda
* - Remembrances: a 2003 documentary on the making of the film, including interviews with Sandrine Bonnaire and other cast members
* - The Story of an Old Lady: Varda's 2003 short film revisiting actress Marthe Jarnias, who plays the old aunt in the film
* - A 2003 interview with Varda and composer Joanna Bruzdowicz
* - A 1986 radio interview with writer Nathalie Sarraute, who inspired the film
* - Theatrical trailer
* - New and improved English subtitle translation
* - PLUS: A new essay by Chris Darke and written introduction by Agnes Varda


#419: "La Pointe Courte" [1956, Agnes Varda]



Zitat:
The great Agnes Varda's career began with this graceful, penetrating study of a marriage on the rocks, set against the backdrop of a small Mediterranean fishing village. Both a stylized depiction of the complicated relationship between a married couple (played by Silvia Monfort and Philippe Noiret) and a documentary-like look at the daily struggles of the locals, Varda's discursive, gorgeously filmed debut was radical enough to later be considered one of the progenitors of the coming French new wave.


Zitat:
Special Features
* - New, restored high-definition digital transfer, supervised and approved by director Agnes Varda
* - New video interview with Varda
* - Archival 1964 television episode from Cinéastes de notre temps, in which Varda discusses her early career
* - Theatrical trailer
* - New and improved English subtitle translation


#420: "Le bonheur" [1965, Agnes Varda]



Zitat:
Though married to the good-natured, beautiful Therese (Claire Drouot), young husband and father François (Jean-Claude Drouot) finds himself falling unquestioningly into an affair with an attractive postal worker. One of Agnes Varda's most provocative films, the art-house hit Le bonheur examines, with a deceptively cheery palette and the spirited strains of Mozart, the ideas of fidelity and happiness in a modern, self-centered world.


Zitat:
Special Features
* - New, restored high-definition digital transfer, supervised and approved by director Agnes Varda
* - Actor Jean-Claude Drouot revisits the film's setting forty years later
* - A 2006 interview with actors Claire Drouot and Marie-France Boyer
* - A 2006 discussion with four scholars and intellectuals discussing the concept of happiness and its relation to the film
* - Srchival footage of Varda shooting Le bonheur
* - 1998 interview with Varda, discussing Le bonheur
* - Du Côté de la côte (1958), a short film directed by Varda exploring the tourist destination of the Côte D'Azur
* - Theatrical trailer
* - New and improved English subtitle translation
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Dr. Strangelove



Anmeldungsdatum: 02.08.2005
Beiträge: 1806

BeitragVerfasst am: 16 Okt 2007 11:44    Titel: Antworten mit Zitat

Welcome back, 4LOM!

Die Agnès-Varda-Box ist ja wirklich traumhaft. Ich habe schon lange auf eine angemessene Veröffentlichung ihrer Werke gewartet. Selbst in Frankreich ist da fast nichts erschienen.

Die restlichen Filme kenne ich leider nicht. Sind sie empfehlenswert?
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wasweissich



Anmeldungsdatum: 04.04.2005
Beiträge: 106

BeitragVerfasst am: 16 Okt 2007 12:36    Titel: Antworten mit Zitat

Mir sagt keiner der Titel was. Die Dezember Criterions stehen doch aber auch noch fest oder täusche ich mich da?
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cinéphile
Gast





BeitragVerfasst am: 16 Okt 2007 16:34    Titel: Antworten mit Zitat

Auf "Miss Julie" freue ich mich sehr.
"This sporting life" kann ich wärmstens empfehlen.

Gruss
Ingo
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Horrorcollector



Anmeldungsdatum: 03.03.2005
Beiträge: 1579
Wohnort: Wuppertal

BeitragVerfasst am: 17 Okt 2007 09:39    Titel: Antworten mit Zitat

Hi,

This Sporting Life und die Varda Box werd ich mir wohl anschaffen.
Kennt einer Miss Julie? Kenne nir Hets von Sjöberg, und der s eig. sehr gelungen.

Grüsse,

Dennis Smile
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